Anguezomo Mba Bikoro's interdisciplinary practices incorporate a synthesis of collaborative engagements, the development of international community dialogue and body politics through a merging of conceptual responses in live art performance, film, archaeology, guerrilla architecture, literature & archives. Her practices derive from developing a creative language through cancer physio-therapies in her personal battle with Leukaemia cancer throughout the 90's.
Her critical process is informed by discourses of histories, archives and theories on postcolonialism, diaspora, migration, identities, afro & alter modernism and culture. Her work reveals and creates moments of synthesis and harmony between seemingly disparate, bodies of knowledge, cultural traditions and value systems. An exploration of creolised identity, heritage, memory and homeland, the artist investigates systems of colonial past & present, tyranny, dictates of gender, traditions and mythologies. She engages with communities contesting handcrafted economies of art, politics, literature, ecologies and philosophy combining alternative strategies in performance and practice to deconstruct social narratives and work on processes and engagement rather than final products that answer to political anecdotes of the way we live with "Archipelagoes for Drexyian Mermaids", "How To Turn A Mountain Into Pearls", "How To Dance With Goats", "LightHouse for Lost Songs", "Cinema For Fauna", "Future Monuments" and "Building Landing Spaces for Ancestors".  
With her approach both educative and allegorical, Anguezomo Mba Bikoro highlights the different tones of a society shared between delusions and ritual. 
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"We always supposed something would give us a definition of who we really were, our class position or our national position, our geographic origins or where our grandparents came from, but I don't think any one thing any longer will tell us who we are"    Stuart Hall
"The point is not to find your own voice, the point is to get rid of it and construct bridges with the unknown" - Phillip Glass

UPCOMING EXHIBITIONS & EVENTS

Forschungswerkstatt: Kolonialgeshichte in Tempelhof und Schöneberg
Museum Tempelhof-Shöneberg  
Jugend Museum | Berlin
18th May - 29th October 2017
If You Fail To Cross The Rubicon (A History On Lateness)
Documenta14 | Kassel | April & June 2017
Documenta14 Athens, Greece | November 2017
A History On Lateness; True Histories Out Of Space
​Rhythmanalysis
curated by SAVVY Contemporary | Hamburg
19-21 October 2017
FEMF Feminist Forum | Helsinki 
21 October 2017
KW Africa | Dortmunder U Centre for Art and Creativity
Afro-Tech Fest: Eine mehrmonatige Ausstellung und Festivalwoche
curated by Inke Arns, Artistic Director of HMKV
20-28 October 2017
Hartware MedienKunstVerein
Auf Den Trümmern Des Paradieses (On The Ruins Of Paradise)
"Reframing Worlds: Gender & Mobility in the Colonial Encounter"
a project by ngbk in collaboration with Kornerpark Gallerie & UQBAR Gallerie
4th November 2017- 30th January 2018 
Memories Of The House Of The Fortunate Buddhas
Fyodor's Carousel
São Paulo, Brazil
After Sundance
Performances and Artist Panel Talk
Thessalouniki | Greece
The Moor May Go (chapter two)
Haus Am ​Kleispark Gallery | Berlin
​December 8th 6pm
Performance with Anaïs Héraud
Republik Repair
Right To Mourn Right To Monument | Hydra Plantation Radio
Exhibition & Radio programme | December 2017