Anguezomo Mba Bikoro
On Colonialities, Cannibalisms & Future Monuments
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Nathalie Anguezomo Mba Bikoro merges installations, sonic radio, live art performances, film & archives. Her work analyses processes of power & fictions in historical archives critically engaging in migrational struggles. She creates environments for untold narratives of resistance movements by African women and indigenous communities. Sedimented in narratives are testimonies of sonic nature archives, queering ecologies and postcolonial feminist experiences towards new monuments, reacting to the different tones of societies shared between delusions & ritual. She brings new investigations about the architectures of racisms in cities, the archeologies of urban spaces & economies of tradition systems by exposing the limitations of technologies as functional memory records. She is the recipient of several awards including Fondation Blachère & Afrique Soleil Mali for Best Artist Dakar Biennale (2012), IASPIS Swedish Arts Council (2018), Arts Council England (2016), Goethe Institut (2016) and many more.
"We always supposed something would give us a definition of who we really were, our class position or our national position, our geographic origins or where our grandparents came from, but I don't think any one thing any longer will tell us who we are" Stuart Hall |
Anguezomo Mba Bikoro's interdisciplinary practices incorporate a synthesis of collaborative engagements, the development of international community dialogue and body politics through a merging of conceptual responses in live art performance, film, archaeology, guerrilla architecture, literature & archives. Her practices derive from developing a creative language through cancer physio-therapies in her personal battle with Leukaemia cancer throughout the 90's.
Her critical process is informed by discourses of histories, archives and theories on postcolonialism, diaspora, migration, identities, afro & alter modernism and culture. Her work reveals and creates moments of synthesis and harmony between seemingly disparate, bodies of knowledge, cultural traditions and value systems. An exploration of creolised identity, heritage, memory and homeland, the artist investigates systems of colonial past & present, tyranny, dictates of gender, traditions and mythologies. She engages with communities contesting handcrafted economies of art, politics, literature, ecologies and philosophy combining alternative strategies in performance and practice to deconstruct social narratives and work on processes and engagement rather than final products that answer to political anecdotes of the way we live with "Archipelagoes for Drexyian Mermaids", "How To Turn A Mountain Into Pearls", "We Built The Kilimanjaro", "Black A(n)thena", "A History On Lateness", "Future Monuments" and "The Moor May Go". With her approach both educative and allegorical, Anguezomo Mba Bikoro highlights the different tones of a society shared between delusions and ritual.
Her critical process is informed by discourses of histories, archives and theories on postcolonialism, diaspora, migration, identities, afro & alter modernism and culture. Her work reveals and creates moments of synthesis and harmony between seemingly disparate, bodies of knowledge, cultural traditions and value systems. An exploration of creolised identity, heritage, memory and homeland, the artist investigates systems of colonial past & present, tyranny, dictates of gender, traditions and mythologies. She engages with communities contesting handcrafted economies of art, politics, literature, ecologies and philosophy combining alternative strategies in performance and practice to deconstruct social narratives and work on processes and engagement rather than final products that answer to political anecdotes of the way we live with "Archipelagoes for Drexyian Mermaids", "How To Turn A Mountain Into Pearls", "We Built The Kilimanjaro", "Black A(n)thena", "A History On Lateness", "Future Monuments" and "The Moor May Go". With her approach both educative and allegorical, Anguezomo Mba Bikoro highlights the different tones of a society shared between delusions and ritual.
UPCOMING EXHIBITIONS & EVENTS
Revolt She Said: Decolonising & Uncracking The Archive
Panel Talk with Nathalie Anguezomo Mba Bikoro, Natasha E. Kelly & Karina Griffith
15th September 2018 | 7pm
District Berlin
Panel Talk with Nathalie Anguezomo Mba Bikoro, Natasha E. Kelly & Karina Griffith
15th September 2018 | 7pm
District Berlin
Black A(n)thena (Kosmos)
Radiophonic Funkkolleg III: Politics of Hearing Space
with Gilles Aubry
Radiophonic Spaces | Der Ohrenmensch
HKW Berlin | November 1-3rd 2018
Radiophonic Funkkolleg III: Politics of Hearing Space
with Gilles Aubry
Radiophonic Spaces | Der Ohrenmensch
HKW Berlin | November 1-3rd 2018
Hydra Plantation Radio
"Choreographic Unrest" | District Berlin
December 2018
Archive Kabinett | Berlin
"Choreographic Unrest" | District Berlin
December 2018
Archive Kabinett | Berlin
Black A(n)thena; Our Tools Were Rudimentary Yet We Pressed On
(Sonic Technologies of African Godesses)
Minor Cosmopolitanisms
HKW Berlin | December 6-9th 2018
(Sonic Technologies of African Godesses)
Minor Cosmopolitanisms
HKW Berlin | December 6-9th 2018
Future Memories: Queering Media Culture and Arts Education
Workshop and Performance - Lecture
Kunst University Cologne | December 11,2018
Workshop and Performance - Lecture
Kunst University Cologne | December 11,2018
Radio Kumasi
Lilith Performance Studios
2018-2019
Malmö | Sweden
