Anguezomo Mba Bikoro's interdisciplinary practices incorporate a synthesis of collaborative engagements, the development of international community dialogue and body politics through a merging of conceptual responses in live art performance, film, archaeology, guerrilla architecture, literature & archives. Her practices derive from developing a creative language through cancer physio-therapies in her personal battle with Leukaemia cancer throughout the 90's.
Her critical process is informed by discourses of histories, archives and theories on postcolonialism, diaspora, migration, identities, afro & alter modernism and culture. Her work reveals and creates moments of synthesis and harmony between seemingly disparate, bodies of knowledge, cultural traditions and value systems. An exploration of creolised identity, heritage, memory and homeland, the artist investigates systems of colonial past & present, tyranny, dictates of gender, traditions and mythologies. She engages with communities contesting handcrafted economies of art, politics, literature, ecologies and philosophy combining alternative strategies in performance and practice to deconstruct social narratives and work on processes and engagement rather than final products that answer to political anecdotes of the way we live with "Archipelagoes for Drexyian Mermaids", "How To Turn A Mountain Into Pearls", "We Built The Kilimanjaro", "The Revenge Of The Crystal", "A History On Lateness", "Future Monuments" and "Building Landing Spaces for Ancestors".  
With her approach both educative and allegorical, Anguezomo Mba Bikoro highlights the different tones of a society shared between delusions and ritual. 
​
"We always supposed something would give us a definition of who we really were, our class position or our national position, our geographic origins or where our grandparents came from, but I don't think any one thing any longer will tell us who we are"    Stuart Hall
"The point is not to find your own voice, the point is to get rid of it and construct bridges with the unknown" - Phillip Glass

UPCOMING EXHIBITIONS & EVENTS

A History Of Lateness & Obscuring Mist (Kosmos A Dictionary Of Swedish Emotion)
History Will Be Kind To Me, As I Intend To Perform It
6-9th September 2018
New Performance Turku Programme | PALS | Nordic Performance
Nordisk Kulturfond
Stockholm, Sweden
Hydra Plantation Radio (Phonetic Dictionary of Kosmos History)
ICA Live Art Festival
12th September 2018
Cape Town, South Africa
Tropical Fever (Letters To My Daughters)
part of the "Demythologise That History And Put It To Rest" curated by Marcio Carvahlo
in partnership with Colonial Neighbours archives & HANGAR Lisboa
"Geographies Of Imagination"
Exhibition at SAVVY Contemporary Berlin
13th September-11th November 2018
Revolt She Said: Decolonising & Uncracking  The Archive
Panel Talk with Nathalie Anguezomo Mba Bikoro, Natasha E. Kelly & Karina Griffith
15th September 2018 | 7pm
District Berlin
Black A(n)thena (Kosmos)
Radiophonic Funkkolleg III: Politics of Hearing Space
with Gilles Aubry
Radiophonic Spaces | Der Ohrenmensch
HKW Berlin | November 1-3rd 2018
“We Built the Kilimanjaro: The Revenge of the Crystal in the Economy of Darkness”
Decolonising The Museum (Transnational Comparisons) International Conference
National Museum of African American History and Culture
Washington DC | November 6-9th 2018
Hydra Plantation Radio
"Choreographic Unrest" | District Berlin
November 13-17th 2018
Archive Kabinett | Berlin
Black A(n)thena; Our Tools Were Rudimentary Yet We Pressed On
(Sonic Technologies of African Godesses)
Minor Cosmopolitanisms
HKW Berlin | December 3-5th 2018

Radio Kumasi
Lilith Performance Studios
2018-2019
Malmö | Sweden