Decolonial Tours
(since 2015)
A series of immersive on-site decolonial tours curated by the artist exploring untold stories of colonial heritage in Germany.
The tours focusing on untold feminist black queer liberation stories and black botany are catered for all groups with interactive exercises, workshops, meditations, botanic foraging, sonic listenings, film screenings, walks and rituals as forms of collective generational restitution and spiritual repair.
The tours focusing on untold feminist black queer liberation stories and black botany are catered for all groups with interactive exercises, workshops, meditations, botanic foraging, sonic listenings, film screenings, walks and rituals as forms of collective generational restitution and spiritual repair.
photo: courtesy of Jewish Museum Berlin 2017
SandDune Wedding: Black Botany and Feminist Revolt in Film
Photo: Julia Ziege; Kathrin; courtesy of Galerie Wedding Berlin 2016
We Built The Kilimanjaro
»We always believed that testimonies should come from the dead, but what about the living? are their testimonies not part of forming visible monuments? Are our voices signs of cannibalist processions of the fauna we are ingesting into our bodies? How do we apply these memories of sounds as testimonies of a changing neighbourhood? what do these sounds reveal about our diversity and immigration? Last Barometz collection form a station of live feeds collecting the diversity of the elastic histories tied to colonial debris for over a century. They form part of an uprooted plantation whose debris is an archival memory of digital sounds performed as a radio station. they are urban myths of all the histories they have collected becoming fractal seeds splitting into different embryos. for every time these plants would get uprooted, the plants would regrow by mixed pollination and human alterations.«
Nathalie Anguezomo Mba Bikoro
Den Kilimanjaro hinabsteigen: Koloniale Trümmer & Erinnerungen im Wedding
Artist Walk mit Nathalie Anguezomo Mba Bikoro11.09.2016 ab 13 Uhr, Dauer ca. 3 Stunden
in englischer Sprache, max. 15 Personen
»We always believed that testimonies should come from the dead, but what about the living? are their testimonies not part of forming visible monuments? Are our voices signs of cannibalist processions of the fauna we are ingesting into our bodies? How do we apply these memories of sounds as testimonies of a changing neighbourhood? what do these sounds reveal about our diversity and immigration? Last Barometz collection form a station of live feeds collecting the diversity of the elastic histories tied to colonial debris for over a century. They form part of an uprooted plantation whose debris is an archival memory of digital sounds performed as a radio station. they are urban myths of all the histories they have collected becoming fractal seeds splitting into different embryos. for every time these plants would get uprooted, the plants would regrow by mixed pollination and human alterations.«
Nathalie Anguezomo Mba Bikoro
Den Kilimanjaro hinabsteigen: Koloniale Trümmer & Erinnerungen im Wedding
Artist Walk mit Nathalie Anguezomo Mba Bikoro11.09.2016 ab 13 Uhr, Dauer ca. 3 Stunden
in englischer Sprache, max. 15 Personen
commissioned for ImmigrationsRat Berlin, 2020
We Built The Kilimanjaro: Black Queer Acoustic Pride in Tiergarten
commissioned for District School Without Center Berlin, 2015
Squat Monument
commissioned for Tempelhof-Schöneberg Berlin Heimat Museum, 2016
commissioned by District School Without Center e.V. 2016
Trümmerberg Kilimanjaro
photos: Marcio Carvahlo
Tropical Fever: Letters to my children
The sonic performance-tour explores the experiences of politics, memory and colonial exploitation through the sonic voices of Bismarck's trafficked African, Indian and Arabic children that were trained for the labour of colonial expedition and Berlin's economy.
The presentation was commissioned by curator Marcio Carvahlo and SAVVY Contemporary "De-mythologies That History And Put It To Rest" (2018) funded by KunstStiftungFunds.
The sonic performance-tour explores the experiences of politics, memory and colonial exploitation through the sonic voices of Bismarck's trafficked African, Indian and Arabic children that were trained for the labour of colonial expedition and Berlin's economy.
The presentation was commissioned by curator Marcio Carvahlo and SAVVY Contemporary "De-mythologies That History And Put It To Rest" (2018) funded by KunstStiftungFunds.